Music’s Biggest Night gave us some amazing performances and some huge winners racking up the Awards, but let’s not forget, we do have a few albums and singles keeping things fresh this week. Here are all the big GRAMMY surges and new releases you need to know about for January 28:

New digital-only singles that you can buy this week include:

Next week, we’ll look at new albums from Toni Braxton & Babyface, Broken Bells, Eric Paslay and more. See you in seven!

The superstars come out to play this week with the likes of a Dark Lady and a Rocket Man on the schedule. Here are all the releases you need to know about for September 24:

New digital-only singles that you can buy this week include:

We’ve all been waiting for the second half of The 20/20 Experience to arrive… what kind of numbers will Justin Timberlake do next week? A preview is coming in six on a special Music Monday!

Here’s the song that we’ve been waiting for almost two weeks now, a duet that takes us into the world of dance. This new song puts the lead singer of Paramore and the Russian-born, German-raised DJ together for the first time, and while it may raise questions about Williams going solo, it may just be a one-off event. Sonically similar to Zedd‘s former hit with vocalist Foxes, “Clarity”, the song should attract a large audience and quickly build on the charts until the holiday season. Enjoy!

Listen to “Stay The Night”.  / Purchase “Stay The Night” on iTunes.

“STAY THE NIGHT”

[Verse 1]

[Bridge]

[Chorus]

Are you gonna stay the night?

[Verse 2]

[Bridge]

[Chorus]

Are you gonna stay the night?

Are you gonna stay the night? (x2)

As pop radio transitions into a land of alternative crossovers and less of the 70′s soul throwback sound we’ve heard as of late, a lot of dance acts and DJs who haven’t quite made a name yet outside of the clubs are still holding their genre’s ground at the format. There’s Zedd and his breakout hit, “Clarity”, featuring Foxes. It’s one of four songs that gives Interscope Records a hold on the entire top 4 on the airwaves. Then, we have the surging “Wake Me Up!” by Avicii and Aloe Blacc, already top ten on iTunes and moving towards that top spot. Further down the chart, there are songs from Armin Van Buuren and Krewella, and now, it’s time to add some more names into the mix. Both singles are at radio on the same date at the end of the month, and they’ve got the beat to beat those other beats:

Just like the waterfall in his name, the sudden rush of EDM acts at the pop format has got this guy wanting in too. Born Ryan Raddon just outside of Chicago, he became a club DJ at age 24 in Salt Lake City and pursued his own career as a producer and writer shortly afterwards. His first album, It’s Me, It’s You, came out in 2003 and two years later, he scored his only #1 (so far) on the Dance/Club Play chart, “Everything”. A total of seven of his songs have reached the 50-position list. Though he’s been appearing on this survey for nearly a decade to varying degrees of success, as well as remixing versions of songs that became major singles on the radio, he, himself, has never had a mainstream hit to call his own. Last year, he was credited as a featured artist on the Neon Trees single, “Lessons In Love (All Day, All Night)”, but it never managed to take off completely. Thus, “Atmosphere” will be the DJ’s true introduction to a wider audience. Much like Calvin Harris‘s “Feel So Close”, Kaskade is the one singing on this rather than featuring an additional vocalist. It worked for Harris, giving his first big hit in the U.S.; why can’t it work for Mr. Raddon? At age 42, he may not have a lot of time left to secure a big airplay and sales hit (although look at David Guetta still making it at age 45), but with an accessible and catchy song that starts out slow and then pops with a pulsating punch, I see a winner in this one. Look out for it in the next few months.

Their names aren’t the most recognizable of the bunch, but put together their collective talents and they may be household names by the end of the year. Ingrosso was one-third of the group Swedish House Mafia, who split up earlier this year after what was their biggest international single, “Don’t You Worry Child”. It topped many charts and went to #6 on the Hot 100. The vocal on “Child” was done by Martin, and the singer also appears on this track. Then, there’s Tommy Trash, an Australian DJ and producer who is relatively unknown here in the U.S., save for on the club circuit. “Reload” was originally an instrumental track by just Ingrosso and Trash at over six minutes in length that became a minor single in Belgium last year, but with the mix they concocted with Martin, it ultimately charted much better. After placing at #3 in the United Kingdom and #1 in Scotland, it finally arrives here and at mainstream radio. It’s another great dance track with a little more of an edge that packs synthesizers and drums into a heavy beat. Martin’s vocals are once again unmistakable on this one; he’s such an emotive vocalist that I could easily see him taking on other genres. Like “Child”, “Reload” has a bit on an inspirational message, about not giving up in the face of fears and trouble and gaining the strength to pick yourself back up to try again. So, Ingrosso and Martin will try, try again for another hit, while adding on Trash on a single that’s far from disposable.

Which song will you be shaking it out to next season? Comment below or click on the “Get Social!” tab to connect with PGTC on social media.

Tired of hearing the same old Calvin Harris and David Guetta-produced songs on the radio day after day? After a while, they all seem to sound the same. Well, here are four producers who haven’t seen a lot of chart success to date in the U.S., but watch out! They’re climbing towards the top of the turntables (and station playlists) with their new releases to the CHR format. Check them out and don’t be afraid to shake a little something once you pump up the volume.

25-year-old Nick Van de Wall has been on the charts in his native Netherlands since 2006, but is slowly finding a following in the United States. You probably best know Afrojack from his 2011 single, “Take Over Control”, featuring vocalist Eva Simons, though he also had a featured credit on Pitbull‘s big smash “Give Me Everything”, which went to #1. His latest single is another big anthem featuring Chris Brown, which will likely discourage some listeners from pressing play. However, the guy’s a decent singer and I’m trying to separate the personality from the musician. (I obviously don’t condone what he’s done in his personal life in the last few years.) I’ve listened to his dance-leaning singles quite a bit like “Turn Up The Music” and “Yeah 3X”, and this one is no exception. It’s big and in-your-face, maybe a tad too harsh-sounding for mainstream radio, but it gets the job done. Brown hasn’t made the top ten on the format since 2011. Let’s see if this one gets the job done. It’s already entered the top 40 despite some fierce competition.

Sometimes it takes mere weeks to have hit, sometimes it takes years. The latter statement neatly fits in with this song from Italian DJ Benny Benassi and English singer Gary Go that was originally released in Europe two years ago, yet is just now becoming a hit record at mainstream radio. The highest position it achieved in its initial release was #20 in the United Kingdom, though it made the top 40 in a few other European countries. The song’s sold north of one million copies in the United States as well, but has never made the Hot 100 or the Dance/Club Play Chart. How come? Lackluster radio support, especially at top-40 radio, though it finally seems to be picking up now. By the way, Gary Go‘s 2009 single, “Wonderful”, was a #1 hit on my personal chart. Great tune. The song’s been issued to radio in two forms: the original mix, and a remix done by Skrillex. It’s already built up a good-sized audience given its positioning on the chart, so, don’t be surprised if this one finally becomes the hit it was determined to be for the last twenty-odd months.

Two producers, one track, and neither of them sing on it. Sweden’s Avicii meets Nicky Romero from the Netherlands on this single, which features a Swedish studio singer named Noonie Bao on it. Bao’s been credited as the main vocals on other album by Swedish acts in the past few years, though none of them have hit Stateside. Romero’s never released here either, and Avicii made a minor hit in the States out of “Levels”, the original composition that sampled Etta James‘s “Something’s Got A Hold Of Me” before Flo Rida started rapping all over it in “Good Feeling”. Of course, with that kind of feeling, it went to the top. “One” has already been a top five hit in Finland, Ireland and Sweden and is likely to be the new #1 single in the United Kingdom on this weekend’s chart reveal. Whether that will translate into perhaps a late spring or early summer hit in the U.S. has yet to be seen, but it’s already zipping up the Dance/Club Play survey with an impressive 44-22 leap on the February 16 edition. As the title suggests, it could be the one to break them all here.

Anton Zaslavski is only 23-years-old, but he’s made a name for himself as Zedd, releasing singles for about three years now. He’s also the main producer behind Lady Gaga‘s forthcoming ARTPOP album, due later this year. The Russian-born producer made a minor splash on the mainstream scene last year with “Spectrum”, which featuring a vocal from Matthew Koma, but it quickly faded away despite a #1 placing on the Dance/Club Play chart. (Koma is best known as the boyfriend of pop singer Carly Rae Jepsen.) This new release topped the same chart, but this time, it’s Foxes singing the song, an English dance artist who hasn’t seen any exposure here before. His star is definitely climbing fast; in fact, he co-produced the recent Justin Bieber/Nicki Minaj top ten entry, “Beauty And A Beat”. The song goes for adds on March 5, but is already starting to rise on iTunes and get a little bit of pre-impact play. Look for this one to do the damage that “Spectrum” couldn’t last year.

Are there any other EDM favorites you could see doing well on popular radio and the Billboard Hot 100? Let me know in the comments or on Twitter: @AdamFSoybel.

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